Rules

The rules of the competition are straightforward.

  • A member may enter only one print for each round of the competition.
  • The print must be entirely the work of the photographer
  • The print can be either colour or monochrome (see below for a definition of monochrome)
  • The print itself can be any size and aspect ratio, but it must be mounted in a window mount. The overall dimensions of the mount must not exceed 50cm by 40cm, and be no smaller than 40cm by 30cm.
    Note: for the annual exhibition the mount size must be 50cm by 40cm and be in white/off-white/black coloured mount board
  • The back of each mount must be labelled with the title of the image, the entrant’s name and the league in which they are competing.
  • There should be no writing on the front of the mount.
  • A member may hand their images to another member to bring along for entry on a competition evening. Please email the Competition Secretary with the name of member bringing the image and the title. This enables us to double check that we have all images on the night.
  • Images may have been taken at any time but cannot be entered more than once.
  • Please make sure you have securely mounted your image, and mounted it to the best of your ability. A poorly mounted image does not set a good impression and can cost you at the judging stage (please refer to the guidelines on mounting images in the Reference section).

Scoring

The judge will select a first, second and third in each division along with one or two images which are Highly Commended. Marks are awarded to each of these: 1st place 5, 2nd place 4, 3rd place 3 and each Highly Commended is given 2. All entries not placed will receive a single point. These points are aggregated into the league table scores.

As entries are placed in a stack during the registration process, Members are asked to ensure that the back of their mount does not have any rough surfaces, such as adhesive tape edges, which could damage the face of an adjacent image. For this reason, it is preferable to use a backing board – if careful, mounts can be re-used.

Manipulation

It is often asked if there are any rules on what manipulation or post processing is permitted. With the exception of the restrictions on Nature images below, we do not have any specific rules here. The key is to be true to yourself – and to produce an image that conveys the story you want, and if in a themed round best suits the theme.

Occasionally in camera and photographic society competitions image which are montages, triptychs, or images could be considered more of a ‘graphic design’ piece are presented. Whilst still eligible be aware that what will be judged is the whole impact and story telling – specific credit is not given for it just being a set of three images.

Definition of Wildlife and Nature

The PAGB follows the FIAP definition of wildlife and nature.  This is as follows:

Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archaeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation. The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.

No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Colour images can be converted to grey-scale monochrome. Infrared images, either direct-captures or derivations, are not allowed. Images used in Nature Photography competitions may be divided in two classes: Nature and Wildlife. Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.

Images entered in Wildlife sections meeting the Nature Photography Definition above are further defined as one or more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat. Landscapes, geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken under controlled conditions are not eligible in Wildlife sections. Wildlife is not limited to animals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcases of extant species.

Wildlife images may be entered in Nature sections.

Source:  http://www.fiap.net/pdf/DefNat-en.pdf

Definition of Monochrome

Following the SCPF, PAGB and FIAP rules mono is defined as follows.

A monochrome image fitting from the very dark grey (black) to the very clear grey (white) is a monochrome image with the various shades of grey. A monochrome image toned entirely in a single colour will remain a monochrome work. A work modified by a partial toning or by the addition of one colour becomes a colour image.

The key part is the toned images are acceptable so long as it is a single tone. Duo or tri-toned images are colour images.

Definition of Landscape Images

It’s very hard to define Landscape images, there are many definitions you can find.

We are taking the view that Landsacpe can mean either views of just countryside, city scapes, and also seascapes. A key element in the photograph should be that the subject of the photograph converys ‘a sense of place’

Perhaps one of the better definitions of what makes a landscape photograph is here.

“Grand or tiny, a landscape is not so much about the subject itself, but rather about the place in which the subject exists and the feeling the subject and place evokes.”